Reading David Andrews’s Theorizing Art Cinema — with its frequent references to his previous scholarly work in Softcore studies — put me in the mood to check out some Radley Metzger films, to re-familiarize myself with his “aspirational” art-core porn. I’d started his 1970 Lickerish Quartet (available on Fandor) mostly to check out the library scene (I’m planning on swiping the decor, if not the wardrobe, for my new office, sometime during the summer), but started watching an earlier, inferior movie (Carmen Baby, 1967) more attentively. I’m not sure why. It’s a fairly standard narrative-number formula, mostly boring but spiked by one or two noteworthy scenes. You might not look at long-necked bottles of Vino the same way again, thanks to one “erotic” dance sequence; there’s another protracted “love-making” scene in which the horizontally grinding couple is shot through multi-color cocktail glasses and brandy snifters (you can tell Metzger thought his tracking shot was pretty cool — he repeats the whole thing a second time for good measure).
I can’t really argue that it’s very good, but it has the virtue of being available on-call (like the film’s titular good-time girl) — and easily watched for free if you’re an Amazon Prime member. The price is right! But don’t be too snooty if you don’t like it; you can read all about highbrow disdain for Metzger’s artsy-fartsy aspirations here, in Andrews’s Soft in the Middle: The Contemporary Softcore Feature in Its Contexts, and feel bad about yourself if you are. On the other hand, if you like to see pouty Italians roll their eyes as they rub up on one another, thrashing around in tight (shoulders-up) close-up reaction shots during acts of simulated oral sex — this one’s for you!
Carmen, Baby trailer — hope you like wine glasses!
Lickerish Quartet trailer — with excellent acclaim pull-quotes from Denby and Warhol (among others)!